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T-Yong Chung was born in Tae-gu South
Korea in 1977, but has lived and worked in Italy and specifically
Milan for a number of years. He has had solo exhibitions at Neon>fdv
in Milan and NOT gallery in Naples, as well as several group shows
in galleries throughout Europe and the world such as: Careof, Shimbashi
Station, Vianuova Arte Contemporanea, and Ar/ ge Kunst to name a
few.
His work often explores quotidian reality by resolving to reduce
banal objects to the essence of their being. In Chung’s hands
objects are thus transformed through the most simple of gestures
like painting them all the same monochromatic color – often
gold or silver – or manipulating them to form new things that
apparently have no obvious sense. Actions that ultimately serve
to challenge our preconceived ideas about how such objects are used.
For his show B612 at SRISA Gallery, T-Yong Chung continues to look
at the nature of everyday objects by investigating the duality between
reality and fiction. It is enough to consider the show’s title,
which recalls the story The Little Prince (1943) and specifically
the small house-sized asteroid B612. A title that informs us that
Chung is not necessarily interested in re-producing reality for
its own sake, but rather shrouding the real in another set of clothes
– just as the Turkish astronomer who discovered the asteroid
in the Little Prince convinces people he is telling the truth by
dressing like a Westerner – in order to invite us to question
‘the facts’ as they pertain to ideas of xenophobia,
racism, and ignorance.
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